Hayao Miyazaki’s How Do You Live? is a gloriously demented goodbye

Hayao Miyazaki's How Do You Live?  is a gloriously demented goodbye

This first impression of Hayao Miyazaki’s How Do You Live? comes from the movie’s opening in Japan. American release plans for the film have not been announced yet.

It’s been 10 years since The Wind Risesthe movie that fans of Japan’s famed Studio Ghibli assumed at the time would be the final project for Hayao Miyazaki, director of classics like My Neighbor Totoro and Spirited Away. But Miyazaki — who has famously retired multiple times without noticeably stopping work — has returned, at age 82, with another animated feature: How Do You Live?, known internationally as The Boy and the Heron. And while its very long development time strained Studio Ghibli’s resources, it’ll make back its budget quickly, just from the same people going back to rewatch it over and over again until they finally get what it’s all about.

After just one viewing, it seems like that the only question Miyazaki is willing to answer for certain is why How Do You Live? wasn’t marketed at all. Up until the premiere, there were no trailers or advertising campaigns promoting the new Ghibli production… because when taken out of context, any scene or shot from this movie would only confuse audiences. The cutesy, human-sized, man-eating parakeets and a gaggle of rubbery grandmas who seem to have pudding for bones are just some of the things that probably made Ghibli’s marketing department cry.

Let’s take it from the beginning. In World War II-era Japan, a young boy named Mahito moves to the countryside after his mother dies and his father marries his late wife’s sister, Natsuko. Suddenly, a gray heron starts harassing Mahito, finally speaking with a human voice and telling him his mother is alive. Mahito follows the bird to a strange tower built by his great-uncle and enters another world where he looks for his birth mom, tries to save his stepmom, and generally deals with fantasy challenges as he finds a new maturity.

Japanese director Hayao Miyazaki stands next to a statue of a stylized lion with one hand on its head in Venice, Italy in 2008.

Photo: Catarina/Vandeville/Gamma-Rapho via Getty Images

On the surface, all of this is par for the course for a Miyazaki film, with trace elements from Spirited Away, My Neighbor Totoro, gold Kiki’s Delivery Service. The confusion starts when viewers try to square that with the parakeets, causality-breaking out-of-time characters, and the heron turning out to be a small gnome-like man wearing a living bird like a suit. Could all those elements be purposeful trolling from a director known for his, to put it delicately, acerbic personality? Maybe, but there seems to be a statement behind the madness: It’s as if Miyazaki is declaring, “This is my life’s work. I don’t care if you’ve enjoyed it. Good-bye.”

How Do You Live? seems to be referencing a number of previous Ghibli movies. Mahito moves away from the city because of his mother, much like Satsuki and Mei in My Neighbor Totoro. The tower that leads Mahito to another world seems to be alive and impossible in its architecture, and with the added scenes of magical fire, it’s more than a little reminiscent of Howl’s Moving Castle. But the most important echo is of The Wind Rises, the previous “final Miyazaki film,” also set around WWII and dealing with the theme of creation, and how it so often goes hand in hand with destruction. How Do You Live? returns to that idea, but it feels more like Miyazaki is talking about himself and his own creative process.

A few things suggest Mahito is meant to represent Miyazaki himself. In a profile about the writer-director, the BBC wrote that Miyazaki also had a strong bond with his mother, and that during WWII, he evacuated to the countryside with his father, who made parts for fighter planes, just like Mahito’s dad.

There’s also the fact that Mahito is deeply angry for most of the movie, in the same ways Miyazaki is. Miyazaki is more than a curmudgeon: In numerous interviews, he appears to be cynical and even deeply nihilistic. He’s a lifelong environmentalist who often gives the impression that he does not believe in the long-term survival of our species in the face of technological and industrial advancement. That theme is especially evident in his film Princess Mononoke, where humans (in an on-the-nose metaphor) murder a forest god in the name of progress. Mahito doesn’t exhibit any hatred for modernity or technology, but he does hold on to the comforting world of the past.

The title How Do You Live? refers to Genzaburō Yoshino’s 1937 novel of the same name — Miyazaki’s favorite childhood novel — which Mahito finds and reads in the movie. The book tells the story of a 15-year-old boy in prewar Japan (essentially another world, compared to the chaos of WWII and the postwar period) who exhibits pluck and courage, and wants to learn more about the world around him. It’s an old-fashioned kind of story from a different time, one that may not have a place in today’s world.

Then there’s the connection between Mahito and the world of Japanese mythology. For example, the numerous references to how Mahito’s stepmom Natsuko looks just like his dead mother seems to be foreshadowing a later tragedy: Her disappearance into the fantasy world. It could be a reference to the myth of Ame-no-Wakahiko and Ajisukitakahikone, which teaches us that it’s bad luck to comment on the similarities between living and dead people. Ame-no-Wakahiko also died in circumstances involving a bow, an arrow, and a bird, which are reflected in Mahito’s weapon of choice in the movie and his heron companion. There’s also a scene where Mahito is led to his pregnant stepmom behind a curtain, and he breaks the rules by peeking around it, which almost leads to disaster. That scene shares some surface similarities with the myth of Princess Toyotama and Hoori.

Just like Yoshino’s novel, these myths represent a bygone era, an idea that seems significant, given how the fantasy world of How Do You Live? is aging, crumbling, and decaying. It’s tempting to look at these themes as Miyazaki reflecting on his own mortality, and the disappearance of his own era.

The film’s fantasy elements look absolutely beautiful, and they naturally include shots of the classic impossibly delicious-looking Ghibli food. But they come with a kind of wistfulness for days gone by, paired with a full, unsentimental realization that there’s no getting them back. Which all feels like a director taking one last look at his career before bowing out. How Do You Live? has all the makings of a perfect swan song. Whether it really is that — whether Miyazaki’s retirement sticks this time — is something we won’t know for a while. In the meantime, his fans can watch this movie over and over, always finding something new and exciting in it. Final movie or not, it’s still a Hayao Miyazaki joint, and those have nearly endless rewatch value.

How Do You Live? is now playing in Japan, in regular release and on IMAX screens. No US release date has been announced, but GKIDS has acquired the film and plans to bring it to American theaters later this year under the title The Boy and the Heron. Polygon will update this story when the movie’s American theatrical plans are revealed.

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